“What will my video cost?” Is the number one question I’m asked. It’s also the toughest question to answer. I could just answer: “How much do you have?” But I think I should be a bit more polite. So here we go….
First, I set the stage that the cost of video production can vary greatly.
Let’s take an example of creating a video explaining how Cisco sees the future of the Internet of Everything. I could hire my son, pay him $20, tell him to hold my cell phone and record me explaining the concept for 60 seconds. Upload to YouTube and I’m done. Cost $20.
Now take that same video message and create a TV commercial with professional writers, actors, graphics, editing, audience testing, and well… you get the picture, expensive. Cost: $$$$$
Here’s the Cisco message that I’m sure will have different results than my $20 version would have:
Second, I bring out the analogy (us video people love analogies).
“What will a video cost?” It’s a bit like asking what does a car cost. Cars come in all types, ranging from a mini Smart car, to a basic Ford, a nice Honda, a luxury BMW, or a supercar Lamborghini. Now complicate the picture with size, from sports cars to sedans, SUVs, or pickup trucks. They will all get you to the airport but with different reliability, capacity, and speed -- of course all in much different style.
Now let’s get back to the video cost question at hand.
Video production and visual content development can be compared to cars in exactly the same way. There are budget entry solutions that may well be just a single camera shoot, similar to the mini or basic car analogy, all the way up to a multi-camera, multi-crewed studio or location shoot that is the supercar of video production. In essence both use a vehicle to transfer the message (or people) in a dynamic engaging way, taking the viewer (or passengers) to the final conclusion (or destination).
Remember your image affects your audience and is just as important as your message.
Before price is even brought into the video production equation the most important point to consider is to take time to decide who your viewing audience is and what style will best suit them. And most importantly, best affect them! Will the mini video analogy work for you, staying true to the product, brand or message that you are promoting, or will you have to accept that the audience will need and may deserve the luxury or supercar video experience?
Seek professional help (and I don’t mean a psychiatrist).
This final decision is always the tough part for anyone looking to commission a video product. You don’t want to make the decision of selecting a mini solution where a luxury or supercar should have been used, nor do you want to select a supercar when a mini would have been perfectly adequate. This is the point where I always say that engaging with experienced media professionals or video service teams can help guide you to make the correct choice for your budget, and most importantly, your audience.
The bottom line… your bottom line.
Unfortunately there is no magical number that relates to how much a video production will cost your bottom line. A budget production price will vary if you use a “bedroom business” to produce it or if you engage with the latest and greatest Hollywood studio. To me, video production all depends on who your audience is and how you take responsibility to produce the best content that stays true to your brand and gets across your message. Find a media professional or video service provider who understands what car analogy you need and can provide this for the audience.
So to summarize, if you ever need to commission a video think about the car analogy when evaluating how much money you’ll need. Every car gets you from A to B in varying degrees of comfort, speed and style so select the car that will best suit your audience. Then use this car analogy to explain your objectives to a professional video production provider whose knowledge and expertise can make it happen. Having a definitive idea of what type of video experience that you want to deliver can make the process much smoother and fulfilling for all everybody involved.
There’s a reason the superlative term “broadcast quality” is the measuring stick and euphemism for “highest possible video quality” — and the people that make it happen are all here this week for the annual National Association of Broadcasters convention.
If you’re reading this, chances are high that you’re on your way or already here, perhaps for the second or third time this year — and it’s only April. We’re there too, not surprisingly, with a lot to share with our colleagues in broadcasting.
By “a lot to share,” I mean the new Videoscape Virtualized Video Processing solution, for handling the massive array of inputs, outputs, and related workflows; solutions for 4K/UltraHD video; advanced HEVC compression; new advancements enabling greater compression with no loss of video quality for MP2 and AVC; and a clear path for our broadcast television colleagues to swiftly transition to IP video, from production to ad insertion to delivery.
The notion of combining enterprise-grade routing with broadcast television isn’t a new one, especially at a National Association of Broadcasters convention. Like everything else, the intersections between Internet Protocol-based technologies and just about everything — video included — have been building momentum for the last several years.
But! This year is different, and milestone-grade, if you ask us. Why? At this year’s NAB, Cisco and Snell, a long-time leader in broadcast television infrastructure, will demonstrate what we believe to be a first-ever integration of real-time, IP-based signaling — from production to the viewing screen.
In essence, the demonstration makes it possible for broadcasters to use off-the-shelf, enterprise-class IP routers to distribute video — in the same way they now ship SDI (serial digital interface) signals through the television ecosystem. If we were to Read More »
This recognition is a rewarding validation for the no-compromise, design led approach we undertook when developing our newest video solutions. And just as important as the awards is the feedback I’ve received from the people who use our technology.
You let us know that you appreciate the attention to detail and unparalleled user experience. And our focus on harmonizing the technology with the human aspect of face-to-face communications. By combining Scandinavian minimalism with Californian approachability, I believe we’ve succeeded in letting the technology recede and emphasizing the connections between people. It’s about allowing people to connect with one another, anywhere, in a powerful way without distraction – from the browser to the boardroom.
Rounded edges, seamless fronts, light aesthetics, arresting audio and video impact Read More »
My mission since joining Cisco Collaboration is to deliver unparalleled experiences across all of our products -- in every pocket, office and conference room.
And, we are delivering on that mission. March 2014 has been an amazing month for Cisco Collaboration. We unveiled our newly designed video portfolio; revealed a second-to-none user experience that spans across the entire collaboration portfolio -- from the browser to the boardroom; had a tremendous presence at Enterprise Connect, and that’s just the beginning…
I have even more exciting news to share. Our newly launched video products have been awarded six Red Dot Award 2014 for high design quality – an incredible validation of our design-led approach. The following Cisco Collaboration products all received the coveted Red Dot quality seal: